Protagonist and antagonist relationship

Protagonist vs. Antagonist – What’s the Difference? - Writing Explained

protagonist and antagonist relationship

The subtext of these four principles is this: There is a narrative connection between the Protagonist and the Antagonist (I prefer the term. What are some ways to make the relationship between a protagonist and an antagonist be compelling and memorable? I find that these. Defining the relationship between your protagonist and antagonist will be one of the centerpieces of your storytelling, so let's take a look at how.

  • The Narrative Connection Between Protagonist and Antagonist
  • Protagonist and Antagonist: Writing the Perfect Rivalry
  • Protagonist vs. Antagonist – What’s the Difference?

I find this is often the case in coming-of-age films. After all, common antagonists in the lives of our youth — parents, teachers, other wily young people — are not always out to get them. Sometimes they just want to help and are thoroughly misunderstood. So what makes them work? At first, Scott Smalls the lead has to overcome his own inability to play baseball, which is mocked by his peers and unaddressed by his busy stepfather, who refuses to make time to teach him.

He might not be capable of such an act, as we learn at the end, but they are still deathly afraid of this dog — which significantly raises the stakes. I highly doubt the bus driver is trying to be late to my stop. Instead, can the opposition be circumstantial — and still carry as much weight? By circumstantial, I mean that the antagonist happens to be in the way of the protagonist, and vice versa.

protagonist and antagonist relationship

So even then, the protagonist is not the antagonist. Like stated in my article on antagonists, the physics of Newton apply.

The Protagonist/ Antagonist Relationship – Gideon's Screenwriting Tips: Now You're a Screenwriter

If the central character does not arc, they are not a straight up protagonist. This brings them into the rare breed characters known as failed protagonists. This is nothing new either. So even in the rare situation where it seems at first blush that all rules are off, and the leading character acts like an antagonist, they still have an external opposing force outside themselves with which they must do battle.

Lou Bloom does more than report the bloody, tragic news in Nightcrawler. We live in an edgier world now, so unlike the good, old, Elizabethan era, such central characters do not always die at the end of a tragic story.

A scribe like me says that some of these characters continuing to live unpunished is actually a greater tragedy than if they die. Getting away with horrific acts is even more tragic to an audience in some cases. That said, this article is not about the changing landscape of tragedy in storytelling.

protagonist and antagonist relationship

Ripleythey all have external adversaries that they must face. That would be boring.

protagonist and antagonist relationship

We must see the fight unfold in order to understand it. Actually witnessing ideals being put on trial as battles wage… It engages viewers and allows them to observe the internal conflict in a tangible way. Sometimes all you need is a picture, and that picture needs no explanation for cinema lovers like us. Think about it logically for just one second.

If the protagonist were the antagonist, what does that look like? Stories are about conflict. Protagonists wrestle with something outside themselves just as Jacob wrestles with another unspecified being in The Bible before he finally faces his brother as an adult.

Yes, it may represent an inner struggle, but an antagonist must be a separate entity. These are only a few of the many flaws that can get your character into a lot of trouble, and ones they need to overcome throughout the story.

Don't be afraid of making them unusual If your story has a non-traditional protagonist, show their importance in the story through their interactions with other secondary characters. In novels that follow many different characters and families throughout centuries of history, such as London or Paris, the ever-present constant is the city itself. New Line Cinema How to write a good antagonist 1.

Protagonist and Antagonist • Who they are and how to write them

Give them a purpose and backstory Why does your antagonist want to foil the protagonist? What is their ultimate goal? Just like your protagonist, your antagonist also needs a motivation. They need to have a backstory so that their motivation is believable and legitimate.

Musings on Protagonist-Antagonist Relationships

Magneto, from the X-Men series, is the antagonist of the story. However, a look at his background reveals all the pain and suffering that led him to hold his belief that mutants are superior to humans. However, if they're too difficult to defeat, your story might never end or end on an unrealistic note.