Secret Love Story Of Mahabharata | Travel By Karma
The housing market moves fast. Did Draupadi have sexual relationship with all the Pandavas? the Pandavas quit the kingdom and went to the Himalayas, Yudhishtira was walking first, followed by his brothers and Draupadi at the end. Draupadi is one of the most popular and controversial heroines of Hindu Arjuna does stumble in once while she is in the arms of Yudhishtira. Yudhisthira – Draupadi is a wise lady and I wish to give her a book on Here, take this and go buy yourself something nice from the market.
To this we could also add 3 months of production. The entire team, including the technical members, reached 15, in some stages of the book. Does DK have other religious texts illustrated in a similar fashion? Was there anything unique as a publishing experiment in this book? DK has brought out the Illustrated Bible in the past. This book is in the same series style. Unlike our other reference books which work mostly like non-fiction with their dry, neutral tone, our version of the Mahabharata is yet another retelling of the epic.
Secret Love Story Of Mahabharata
It was a challenge for the editorial team to adapt their skills to storytelling, to ensure the text flowed like a tale, weave in dialogues wherever needed, and inject drama to create impact. It seems to be meant for the general market but the stories are easily told that a child too can read them. If that is the case then how did you manage such a gentle and easy style? Our aim was to keep the stories accessible for a large readership, and in a lot of ways that is DK style. While we segregate our books in adult and children categories, depending on subject matter, comprehension level, interests, so on and so forth, the text for the adult ones is almost always aimed at ages 14 and above.
This epic has been translated in other languages. Why not have images of those texts at well? It was not always possible to get all images that we wanted, but we have used a couple of book covers to make the point about translations or different takes on the epic — mostly for latter. I can think of a book on Yudhishthira and Draupadi by Pavan K Varma which we used to discuss their relationship. The choice of other retellings of Mahabharata invariably depended on the context of the stories we wanted to tell and the point we wanted to make and not the other way around.
Some of the other books that find mention in ours are: It would have been fascinating if a chapter on myth-making in this epic had been included as a standalone chapter rather than inserting boxes in various chapters. Why not address myth-making? I take your point, and it would have been certainly interesting to have such a chapter now that you point it out. However, when we conceptualized the book, we were sure that we wanted the focus of the book to be on retelling the epic and layering them by adding side stories in boxes.
Playing the next round, Shakuni wins. Draupadi was horrified after hearing that she was staked in the game and now is a slave for Duryodhana.
Draupadi questions Yudhishthira's right on her as he had lost himself first and she was still the queen. Duryodhana, angry with Draupadi's questions, commands his younger brother Dushasana to bring her into the court, forcefully if he must.
Dushasana drags Draupadi to the court by the hair. Seeing this, Bheem pledges to remove Dushasana's hands, as they touched Draupadi's hair. Now in an emotional appeal to the elders present in the forum, Draupadi repeatedly questions the legality of the right of Yudhishthira to place her at stake.
In order to provoke the Pandavas further, Duryodhana bares and pats his thigh looking into Draupadi's eyes, implying that she should sit on his thigh. In rage Bhima vows in front of the entire assembly that he would break that thigh of Duryodhana, or accept being Duryodhana's slave for seven lifetimes. At this time Vikarnaa brother of Duryodhana asks the kings assembled in the court to answer the question of Draupadi.
He gives his opinion that Draupadi is not won rightfully as Yudhishthira lost himself first before staking her. Besides, no one has right to put a woman on bet according to shastras; not a husband, father, or even the gods.
Hearing these words, Karna gets angry and says that when Yudhishthira lost all his possession he also lost Draupadi, even specifically staking her. He orders Dushasana to take away the rich garments of Pandavas and Draupadi.
Pavan K Varama’s Yudhisthira and Draupadi | Jaya's blog
A miracle occurs henceforward, which is popularly attributed to Krishna. Dushasana unwraps layers and layers of her sari. As her sari keeps getting extended, everyone looks upon in awe, and Dushasana himself is forced to stop due to exhaustion. This vow unsettles the entire court.
The only Kauravas who object to the disrobing of Draupadi in the court are Vikarna and Vidura. Vidura openly calls Duryodhana a snake and a demon, but after finding no support even from his own brother, Vidura is helpless. Karna further orders Dushasana to take Draupadi to the servants' quarters and derisively asks her to choose another husband who unlike Yudhistira would not gamble her away.
Just then, jackals call out as a mark of evil omen. Queen mother Gandhari enters the scene and counsels Dhritarashtra to undo her sons' misdeeds. Fearing the ill-omens, Dhritarashtra intervenes and grants Draupadi a boon. Draupadi asks that her husband Yudisthir be freed from bondage so her son Prativindhya would not be called a slave.
In order to pacify her further, Dhritarashtra offers a second boon. Calmly, she asks for the freedom of the Pandavas along with their weapons. When Dhritarashtra asks her for her third wish, she reminds him that a kshatriya woman can seek only two wishes, three would be a sign of greed. Dhristarashtra gives them back their wealth, and grants them permission to go home. Amused by the sudden turn of events, Karna remarks that they "have never heard of such an act, performed by any of the women noted in this world for their beauty.
Yudhishtira yet again accepts the invitation and loses, and goes on an exile with his brothers and wife Draupadi. Living in exile[ edit ] Abduction by Jayadratha[ edit ] Draupadi taken to forest by Simhika, who plans to kill her While the Pandavas were in the Kamyaka forest, they often went hunting, leaving Draupadi alone.
At this time Jayadrathathe son of Vriddhakshatra and the husband of Duryodhana's sister Dussalapassed through Kamyaka forest on the way to Salwa Desa. Jayadratha met Draupadi and then started beseeching her to go away with him and desert her husbands.
Draupadi pointed out the immorality of deserting one's spouses when they were in difficulty, and attempted to stall and dissuade Jayadradtha by describing how the Pandavas would punish him.
Yudhisthira, Bhima, Arjuna and Draupadi
Failing with words, Jayadratha forced her onto his chariot. Meanwhile, the Pandavas finished their hunt and found Draupadi missing. Learning of their wife's abduction by Jayadratha they rushed to save her. On seeing the Pandavas coming after him, Jayadratha left Draupadi on the road, though ultimately the Pandavas managed to arrest him. Yudhishthira urged Bhima to spare Jayadratha's life for the sake of Dussala and Gandharimuch to the indignation of Draupadi.
In some versions of the story, Yudhishthira asks Draupadi to pass the sentence since it was she who was attacked, and she begrudgingly counsels to spare him because of the relations they share. Before freeing him, the Pandavas shaved Jayadratha's head at five places in order to publicly humiliate him.
One day Kichakaand the commander of king Virata 's forces, happened to see Draupadi. He was filled with lust by looking at her and requested her hand in marriage.
- Gulzar gets poetic with Mahabharat
Draupadi refused him, saying that she was already married to Gandharvas. She warned Kichaka that her husbands were very strong and that he would not be able to escape death at their hands. Later, he forced his sister, the queen Sudeshnato help him win Draupadi. Sudeshana ordered Draupadi to fetch wine from Kichaka's house, overriding Draupadi's protests. When Draupadi went to get wine, Kichaka tried to molest her. Draupadi escaped and runs into the court of Virata.
Kichaka kicked her in front of all the courtiers, including Yudhishthira. Fearful of losing his most powerful warrior, even Virat did not take any action. Bhima is present, and only a look from Yudhishthira prevents him from attacking Kichaka. Furious, Draupadi asked about the duties of a king and dharma. Draupadi then cursed Kichaka with death by her husband's hand. Laughing it off, Kichaka only doubted their whereabouts and asked those present where the Ghandaravas were.
Yudhishthira then told Sairandhri to go to the templeas Kichaka would not do anything to her there in some versions, he recommends she seeks refuge with the queen.
Draupadi - Wikipedia
With this, the king asked Kichaka to leave and praised Yudhishthira's reply as he himself could not think of anything. Later that night, Arjuna consoled Draupadi, and with Bhima, they hatched a plan to kill Kichaka. Draupadi meets with Kichaka, pretending to actually love him and agreeing to marry him on the condition that none of his friends or brothers would know about their relationship.
Kichaka accepted her condition. Draupadi asked Kichaka to come to the dancing hall at night. Bhima in the guise of Draupadifights with Kichaka and kills him. On the 16th day, Bhima kills Dushasanadrinking his blood and fulfilling his oath. There is a popular myth often depicted in well-known adaptations on Mahabharata.
It says, Draupadi washed her hair with her brother-in-law Dushasana's blood, as a mark of her vengeance against the molestation she had suffered at the dice-game. Though an extremely powerful and symbolic theme, this incident does not appear in Vyasa's Sanskrit Mahabharata.
Alf Hiltebeitel in his acclaimed research work, "The Cult of Draupadi" explores the source of this myth as he travels through the rural areas of South India. He discovers that the first literary mention of the blood-washing theme appeared in "Venisamhara"  or "Braiding The Hair of Draupadi ", a Sanskrit play written in the Pallava period by eminent playwright Bhatta Narayana.
Since then, this powerful theme of vengeance had been used in most retellings and adaptations on Mahabharat, thus mistakenly attributing the authorship to Veda Vyasa. Ashwatthama[ edit ] Ashwathamain order to avenge his father's as well as other Kuru warriors' deceitful killing by the Pandavasattacks their camp at night with Kripacharya and Kritavarma. Ashwathama killed DhrishtadyumnaShikhandiUpapandavasand the remaining Pandava and Panchala army. Arjuna and Ashwatthama end up firing the Brahmashirsha astra at each other.
Vyasa intervenes and asks the two warriors to withdraw the destructive weapon. Not endowed with the knowledge to do so, Ashwatthama instead redirects the weapon to Uttara's womb, killing the Pandavas' only heir.
Krishna curses him for this act. Ashwathama is caught by the Pandavas, and his jewel is taken away. Due to the power of meditation, her wrath is subdued and she lets go off Ashwathama, son of their Preceptor Drone saying, "I desired to only pay off our debt for the injury we have sustained. The preceptor's son is worthy of my reverence as the preceptor himself. Let the king bind this gem on his head, O Bharata!