Tunnels (owarai) - WikiVisually
As groups such as Downtown and U-tchan Nan-chan became more popular with Downtown (owarai) - Hamada about to hit Matsumoto on the head on Downtown DX . information about artists, their works, and the relationships between them. the acquisition, the MusicDNS service began having intermittent problems. of the extremely popular owarai duo Downtown alongside Matsumoto Hitoshi. running in a straight line with no difficulties after being spun around exactly a. Hail /r/GakiNoTsukai! Long time Downtown fan reporting in (No-Laughing High School - class of , represent!). I have recently stumbled.
The Slowking on this card was illustrated by Hamada himself. Hamada the Family Man Edit Contrary to his intimidating persona, Hamada is proper and well-mannered off screen, and has been praised by Matsumoto for being a devoted father.
He is often spotted in public with his family, and every New Year's, they vacation in Hawaii. Being from Osaka, he speaks in the kansai dialect; however, he uses a standard dialect when talking to his children. This is because the kansai dialect is regarded as improper in Japanese society. In the Hotel Man Batsu game special, he was referred to as "Piko-chan". Although he has always disliked animals, he recently became attached to the family dog.
This has shocked Matsumoto. In a March episode of Gaki no Tsukai, when asked what he would save first if his house caught on fire, his reply was "the dog.
Some of Hamada's commonly mocked traits are: His comically extreme lack of drawing skills. On two separate occasions, Gaki no Tsukai regulars played a game where a subject is presented and their drawing must predict what Hamada's interpretation will look like. His childish taste in foods.
He enjoys foods that are perceived in Japan to be normally preferred by children, such as hamburger patties, karaage, milk tea, fast food the Mega Mac in particularand his all-time favorite, yakisoba. Matsumoto says he has "the taste of a high school freshman" and claims one can improve his mood by putting a fried egg on top of his steak this is usually only done for children. This incident marked the beginning of Downtown and they were split apart when they entered different high schools.
The boarding school Hamada entered was very strict, and Hamada attempted to escape several times, whenever he escaped successfully, he called Matsumoto for help, hiding at his home for several days before being caught by his teachers. Hamada repeated the cycle of escaping, calling Matsumoto to borrow money to buy food, and being caught again, throughout his high school years.
Hamada Masatoshi | Downtown no Gaki No Tsukai ya Arahende Wiki | FANDOM powered by Wikia
Matsumoto, on the hand, entered a local tech school, and became the leader of the school band. After graduating, Hamada had a try at becoming a motorboat racer. Hamada invited Matsumoto to join him to become a comedian, at the time, Matsumoto had a job offer from local publishing company, but he decided to join Hamada 3. Manzai — Manzai is a traditional style of stand-up comedy in Japanese culture.
Manzai usually involves two performers —a straight man and a funny man —trading jokes at great speed, most of the jokes revolve around mutual misunderstandings, double-talk, puns and other verbal gags. Originally based around a festival to welcome the New Year, manzai traces its origins back to the Heian period. The two manzai performers came with messages from the gods and this was worked into a standup routine and this pattern still exists in the roles of the boke and the tsukkomi.
The spread of manzai was largely put to a halt after the conclusion of World War II and this new style proved successful and spread all over Japan, including Tokyo. Riding on the waves of new technology, manzai quickly spread through the mediums of stage, radio, and eventually, television. Similar in execution to the concepts of funny man and straight man in double act comedy, boke comes from the verb bokeru which carries the meaning of senility or air headed-ness and is reflected in the bokes tendency for misinterpretation and forgetfulness.
Masatoshi Hamada - Wikipedia
The word tsukkomi refers to the role the second comedian plays in butting in, another traditional manzai prop is a small drum, usually carried by the boke. A Japanese bamboo and paper umbrella is another common prop, the tradition of tsukkomi and boke is often used in other Japanese comedy, although it may not be as obviously portrayed as it usually is in manzai. He and Matsumoto did not become friends until junior high.
Like Matsumoto, his family was very poor and lived in an old, run-down apartment building. They made their debut in Comedic character[ edit ] Hamada is frequently seen whacking Matsumoto and other celebrities on their heads, whether it be with his hand, a paper fan, or whatever he is holding at the moment. He laughs with a distinct, high-pitched cackle whenever he sees his colleagues in pain.
Never one to hold his tongue, he is known for being blunt and tactless towards everybody, no matter how famous they may be. He has a notoriously quick temper and is prone to snapping at others, including overzealous fans who bother him on the streets. On an episode of Downtown no Gaki no Tsukai ya Arahende!!
A common prank is to have Hamada pretend to lose his temper during a filming and become furious towards the unwitting victim. In the past, he has violently attacked the victim, including kneeing him in the face, giving a headbutt and pulling his hair. One stated Hamada would bite his tongue off if he tried to kiss him. Tsunku has been quoted as saying "A musician will always make it big after being hit by Hamada.