THE TRUTH ABOUT ANAIS NIN - USC News
Nigella Lawson of The Times said: “An affair with Henry Miller—who matched [ Nin] for .. One of the many letters to Anais Nin from her father. Anais Nin and Henry Miller were a pair of famous writers whose era spanned the an incestuous relationship with her father (Nin, Pole, ) (House of Incest. father — that holds the secret truths to her life, concludes Noel Riley Fitch, Anais Nin, Fitch reveals for the first time how Nin's relationship with her with Henry and June Miller; and Incest (), which covers the period in.
The true psychic pain may be much greater than the conscious manifestation of it. This pain will manifest itself in consciousness in the form of a neurosis which will be acted on in some way.
Thus, these unconscious residues of psychic pain fragment off and form complexes and our personalities become dissociated into sub personalities with their own characteristics and memories Jung, Jung tells us that the origin of many of our complexes is trauma associated with moral conflict in which we are unable to deal with the totality of our human nature Jung, This would certainly apply to Nin.
At the time of her meeting Miller inNin was living a sedate life as the wife of a successful banker to whom she had been married for nine years.
Anaïs Nin’s Incest: A Key To Understanding Her Art
Miller was a magnet. She was also living through the stigmata of being an adult child of incest, characterized by an early and pervasive interest in sex, promiscuity, and a recurring theme of being used by men Courtois, Miller spent his life escaping his childhood YouTube, We know that it was very dysfunctional.
It seems reasonable to assume that Miller had both a negative father and mother complex. Diekmann teaches us about the pathology of the positive mother complex. He states that complexes go deep into the unconscious as well as into the collective unconscious. The stronger the complex the more it dominates the psyche in pathological forms.
This becomes a spiraling psychological event which must increasingly remain unconscious. It seems reasonable that Miller would have a strong abandonment complex and an overpowering need for a nurturing feminine mother figure. Diekmann describes one form of the positive mother complex in which it can: How can we see this in Miller? Miller was obsessed with endless sexual encounters, of every variety with women, either individually or in groups, the wilder the better. He continued feeding his sexual appetites until his death at age 81 at which time he was living with a young Playboy Bunny.
One may ask rhetorically: If you are obsessed with the carnality of sex, can you ever find encompassing love in it? What sorrows at the core of their unconscious led them to find the creative complex in themselves? They had both suffered deep loss from their families in different ways.
Anaïs Nin’s Incest: A Key To Understanding Her Art : The Official Anais Nin Blog
They both sought transformation of their inner tension, which had been raised to ego consciousness, through the inspiration found in the muse archetype and the creative energy contained in the Great Mother archetype. Jung, Their unconscious need was to increase their own sense of authenticity, greater personal awareness, and love.
It is that longing which can bring truer understanding of the self. But this involves the resolution of the alienation between ego and self which requires ego awareness initially, and ultimately the surrender of the ego, the dissolution of the polarities between ego and soul, and achievement of the transcendental function.
The presence of the right human muse, as was the case with Miller and Nin, can enhance this. Jung termed this a reconciliation with ourselves, a transcendental function Jung, Often, it may be a fleeting thing, yet our deepest yearnings for transcendent awareness and love, which is so deeply a part of us, will keep us longing.
We have sacrificed our identity in the process, and partially dissolved our egos and the experience has been transformative, but the road to individuation is a lonely one. Even though both had significant negative complexes to deal with, an incarnate muse love in a mysterious way transcended them and they were able to function independently after the fires of their passion cooled.
In the words of Neale Lundgren: Theory will not define it or explain it. It was truly miraculous. Their resonance lifted them creatively and allowed them to transcend, or at least accommodate to, their complexes in a way that would allow each of them in their late years to define their art, as well as, in some way validate the level of individuation they perceived they had reached. In a YouTube interview he said of himself: My books are who I am.
I want to be a clown, a symbol of man, a figure who suffers on earth, and his attempts to deal with his life. Someone who laughs and cries at the same time. The book is the man. In another interview late in her life YouTube, Nin describes her inherent need to pattern herself after Lou Andreas Salome. In it she stated with obvious enthusiasm that Lou Andreas Salome had been her muse and mentor.
I am slightly paraphrasing some of her quotes, and taking others out of the total context of the conversation: Salome created a freedom in herself, at a time when this was incredibly difficult, but which women today demand She inspired men, even if the relationship was tragic, as it was with Niezsche, she was a muse who always inspired men to become their highest self…This was her seduction, and she demonstrated this with Rilke who she elevated from an ordinary poet to greatness by expanding his vision… She always ended the relationship, which was unusual for that time…She had no guilt, and a rebellious spirit which almost commanded her to break all of the taboos.
Experience teaches that there are many forms of love, and love that lasts beyond its carnality, and causes us to go into the collective unconscious to spark our creativity, is love whose meaning transcends it.
Perhaps this is one aspect of the creative complex. Jung believed this demonstrated an awareness of the primordial images of the collective unconscious to transcend the personal consciousness of each of them Lundgren, Jung. What about my personal transference into Nin and Miller? Anais Nin was my symbolic wife and I was Hugo. My wife was a very beautiful woman who I adored, but who was unattainable.
I was Hugo, the successful male who provided a luxurious life style and endlessly tried to find ways to make my wife happy and fulfilled over a twenty year marriage. Just like Nin, the more I tried to love her the less successful I was.
Only a fraction of us get it right the first time, if ever. I cannot even kiss you as I would like to.
An Unlikely Muse Love Pair: Anais Nin and Henry Miller | douglas donnell - irobot-roomba.info
I'm in love with my own daughter! She dares to write about such tabooed feelings and acts never before printed in women's books. In heated episodes of seduction, she becomes the 'bad' girl her father desires - she becomes in effect his double, a Donna Juana.
I was tortured by a complexity of feelings, wanting his mouth, yet afraid, feeling I was to kiss a brother, yet tempted— terrified and desirous. We kissed, and that kiss unleashed a wave of desire.
I was lying across his body and with my breast I felt his desire, hard, palpitating. Ecstatic, his face, and I now frenzied with the desire to unite with him His spasm was tremendous, of his whole being. He emptied all of himself in me Incest is a salacious confession in which Nin has laid herself widely opened like French doors on the balcony of the world - and oh, what a view!Anaïs Nin 1970 part 1 French
Relationship was impossible unless one gave the most secret and deepest part of oneself